The Summer Issue
The Televisual Summer 2025 issue is out now.
Inside you’ll find our landmark Survey and report on the role of the Post Production Supervisor; our genre report on the fortunes of entertainment television; interviews with five of the best directors working in film and HETV right now; a feature on the current state, and future fortunes, of the UK VFX sector; a look at how the funding jigsaw is being pieced together in factual TV; a close up on the story behind the grades of four standout shows and films; a look behind the scenes of the television studios business; a feature on the expanding possibilities of virtual production; a production close up on Harry and Jack Willams’ latest thriller for Prime Video; the sound story of Danny Boyles’ 28 Years Later; plus all the best recent work in post and vfx and a chance to revisit the Televisual Village Fete in pictures
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REPORT: POST PRODUCTION SUPERVISORS
As post has become ever more complex, the need for Post Production Supers has soared. Televisual surveyed them to find out how the role is evolving.
Entertainment TV has registered big new hits recently. And the streamers are in the market now too. Pippa Considine reports
Five top scripted directors tell Jon Creamer about the art and craft of high-end television and film directing
It’s been brutal in the UK vfx industry with many storied companies going to the wall. But there’s now a slight sense of optimism with work trickling back and new opportunities ahead. Michael Burns reports
With fully-funded commissions becoming more rare, factual TV producers are increasingly looking for deficit finance. Pippa Considine reports
The colourists of four recent standout productions explain what it took to create a grade that made the story shine through. Jon Creamer reports
The TV studios business has had some lean times but is the gloom lifting? Pippa Considine reports
Virtual production is now a very useful tool in the producers’ toolbox as more and more productions employ it. And the possibilities keep on expanding. Michael Burns reports
Harry and Jack Williams’ latest, The Assassin, had to battle production delays and soaring Greek temperatures to hit its target. Jon Creamer reports
Kevin Hilton finds out how the sound team kept the tension high for Danny Boyle’s latest, 28 Years Later.
The best new finishing work in the UK from Company 3, The Look, Rumble, ILM and many more
See the annual Televisual Village Fete in pictures
To read the full Spring 2025 issue, along with all of Televisual’s industry leading content and reports from the last five years, subscribe at https://televisual.plus
